Volume 3 • 2022

111: Writing, Identity, and Power

My Vietnamese

Thanh Mai Xuan Tran

2022-01-01 Volume 3 • 2022

Marathi and the Maharashtrian Community

Sayali Bhalerao

2022-01-01 Volume 3 • 2022

Is It Wrong Not to Speak Standard American English?

Kelli Jarvoja

2022-01-01 Volume 3 • 2022

Experience Versus Understanding

Adam Lachapelle

2022-01-01 Volume 3 • 2022

A Rejection of Identity

Rose Cusack

2022-01-01 Volume 3 • 2022

112/112H: College Writing

Out in STEM

Ruby DiGregorio

2022-01-01 Volume 3 • 2022

Affordable Housing Crisis: In Amherst and America

Christmaelle Vernet

2022-01-01 Volume 3 • 2022

Mi Idioma Y Cultura

Jokaira Diaz

2022-01-01 Volume 3 • 2022

American Tamed Tongues

Jenny Ly

2022-01-01 Volume 3 • 2022

Artificial Intelligence Art: The End of Creativity or the Start of Something New?

Manu Hegde

2022-01-01 Volume 3 • 2022

How to End the Housing Crisis, Together

Dana Trifunovic

2022-01-01 Volume 3 • 2022

112/112H: Multimodal

Oh My Geese!

Jessica Zhang

2022-01-01 Volume 3 • 2022

Fighting Anti-Black Discrimination in Real Estate

Thamar L. Pierre - Louis

2022-01-01 Volume 3 • 2022

From Crop to Cup: The Bitter Origins of Brazil's Coffee

Jahnavi Anand Modi

2022-01-01 Volume 3 • 2022

The Darker Sides of Modern Self Help and What We Can Do About It

Aryan Sajith

2022-01-01 Volume 3 • 2022

Teaching—A Declining Profession?

Avantika Manikandan

2022-01-01 Volume 3 • 2022

Editorial Board

2022 Editorial Board

Best Text Admin

2022-01-01 Volume 3 • 2022

Junior Year Writing

Accepting the Past While Emphasizing the Future

Ryan Welsh

2022-01-01 Volume 3 • 2022

Separating Debussy from Impressionism: How Non-Western Scale Patterns, Parallel Harmony, and Heterophonic Orchestration Truly Create the Unique Sound of Debussy

Sarah Connors

2022-01-01 Volume 3 • 2022